Current Exhibition:

Vernacular Vixens
Found Images of Women from the Robert E. Jackson Collection

December 3, 2015 - February 6, 2016

Hours: Wed - Sat 11–5:30 pm; Tues by appointment
First Thursdays of the month open until 7:30pm

PLEASE NOTE: We will be closing the Gallery at our current location in February,
continuing by appointment only.

Our Inventory Reduction Sale continues. Most photographs are discounted 15-25%, with some up to 50% or more. Prices listed on this website are retail;
please email or call for the sale price on a particular item.

Contact:   415-781-1122   •   info@roberttat.com
49 Geary Street • Suite 410 • San Francisco, CA 94108

View photographs from our inventory by clicking on these galleries:


Vernacular Vixens
Found Images of Women from the Robert E. Jackson Collection

December 3, 2015 - February 6, 2016

At the conclusion of this exhibition we will be closing the Gallery at our current location,
continuing by appointment only.

View a slide show of photographs from the exhibition here

Robert Tat Gallery is pleased to present selections from the collection of Robert E. Jackson. The exhibition "Vernacular Vixens: Found Photographs of Women" is drawn from Jackson's collection of over 11,000 found and vernacular images, and features approximately 35 photographs of women and the female form. The show will include images from various areas within vernacular photography, including press photos, double exposures, snapshot portraits, negatives printed as positives, color photographs and larger anonymous images.

Robert Jackson is arguably one of the most important active collectors of the vernacular photograph. He has been an avid proponent of the snapshot as art, and selections from his collection have been featured in numerous museum and fine art gallery exhibitions.

Most notably in the fall of 2007, Jackson's collection formed the basis of the exhibition and catalogue "The Art of the American Snapshot: 1888-1978" organized by The National Gallery of Art in Washington, D.C. This was the largest exhibition to date of vernacular photography in a major art museum. In June of 2013, Pace/MacGill Gallery in New York City presented the exhibition "Snap Noir: Snapshot Stories" based on photo groupings curated from his collection.

Several photographs from The National Gallery exhibition are included in "Vernacular Vixens" and will be available for purchase for the first time in a gallery setting. These pieces are in their original exhibition frames and carry a provenance label on the back of the frame certifying the piece was exhibited at the museum.

Collecting snapshots and other vernacular images as aesthetic objects is really a process of connoisseurship. Since these photographs were not made with the intention of being art, we might better call them "accidental art". Their artistic merit is established by the collector's eye. This involves a process of selection, of looking through sometimes thousands of photographs to find one that meets the collector's aesthetic.

According to Jackson "These snapshots now exist in my collection without the weight of any of the narrative import that accompanied the taking of the photo. I am interested in the formal aesthetic qualities of the photo, and have no interest in trying to place when and where it was taken or what the photo meant to express or record."

Robert E. Jackson has collected snapshots for over a decade. Publications on Jackson's collection include Pure Photography (2011--Ampersand Gallery & Fine Books, Portland, OR) and The
Seduction of Color (2012--Marquand Books, Seattle). His snapshots were also featured in Ransom Riggs's bestselling young adult book Miss Peregrine's Home for Peculiar Children (2011), and in Ambach & Rice's exhibition, "Lost & Found: Anonymous Photography in Reflection" in Los Angeles in 2012.

Jackson holds an MA degree in Art History from the University of North Carolina, Chapel Hill and an MBA from the University of Texas, Austin. He lives in Seattle and actively collects all types of anonymous photography and photo objects, including snapshots, press prints, cabinet cards, employee photo badges, and photo-collages.

An interview with Jackson on his collection can be found here:

The ROBERT TAT GALLERY specializes in 20th century European and American photographs. The eclectic collection of vintage and later prints emphasizes Photographic Modernism, but also includes earlier and later photographs. The gallery shows works by 20th century master photographers, lesser-known mid-century photographers, the Pictorialists, select contemporary artists, as well as unique vernacular and anonymous photographs and selected 19th century works. We also maintain a good selection of vintage historical photographs of San Francisco and Califonia.

ROBERT TAT GALLERY is located in San Francisco's premiere gallery building at 49 Geary Street, Suite 410, near Union Square. The Gallery is open Wednesday - Saturday 11:00 AM - 5:30 PM; Tuesday by appointment. For further information, please call 415-781-1122.

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We are always looking for fine photographs to purchase or consign. If you have photographs you would like to sell, please contact us.

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If you are looking for a particular photographic image, works by a specific photographer or a certain style of photograph, please contact us with your request. If we don't have it in inventory we'll be pleased to search for you. We have resources for photographic material all over the world.

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What is a Salon photograph?
Numerous camera clubs around the world sponsor regular exhibitions, called salons, where members of other clubs compete to show work. The salons during the first half of the 20th century were particularly rich, featuring the work of many artists who later became famous. We take a special interest in the the works of lesser known salon photographers, often serious amateurs or commercial professionals doing their own work on the side. Their photographs are frequently beautifully composed and crafted, with an aesthetic and print quality rivaling that of the celebrated artists of the day. Many collectors appreciate salon work for these reasons -- and because it is more reasonably priced than works by better known artists. Salon prints may bear exhibition labels or stamps on the reverse of the photograph's mount, indicating awards or other participation in various salons.

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What is a Vernacular photograph?
The term "vernacular" literally means "of the commonplace." In photography collecting, it refers to photographs which were made without artistic intent. This includes commercial photographs, personal snapshots and albums, historical images, scientific photographs, etc. Many collectors find vernacular images interesting, both for subject matter and for the occasional image that has an aesthetic appeal, albeit unintentional.

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What is a Found Image?
Our Found Images are specially selected snapshots screened with the same criteria as a fine art photograph: artistic appeal, engaging or emotional subject matter, and print quality. We search through about 1000 pieces to find one "gem in the rough" that meets our standards. There is growing interest in collecting snapshots and a new appreciation of them as art, with several fine arts museums mounting exhibitions during the past few years. Found Images from Robert Tat's collection were exhibited at the San Francisco Museum of Modern Art in 1998 as part of their "Snapshots: The Photography of Everyday Life" show.

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